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If Sigma adopts Panasonic’s flash system, then it means next year’s full frame Foveon camera should already have full support from Godox. If not, Paul will just have to keep hoping that Godox one day supports Sigma’s flash system. Conclusion
Please Note – The readings below are just provided as an indication. Results may vary from strobe to strobe, and with different meters, and test conditions etc. Overall, the AD400Pro and AD600Pro are both amazing portable flashes that perform very well in both indoor and outdoor settings. Whilst these two flashes are very similar, the AD200 Pro has the edge on the AD200, meaning that of the two, it is the AD200 Pro that you will struggle to find a Godox user without! The AD200 Pro is the most popular of this entire range for its versatility, and portable nature. Again, this is something you briefly went over when you shouldn't have. Refer to Rob Hall's videos in the future for these readings. The FJ400 has a color shift of 150k while the AD400 Pro has only a 50k shift when in stable color mode. For professionals this is a significant difference and you should have gone through this more and test this. The recentR2 Pro / Xprotransmitters have provided abig improvement in the system,with a very userfriendly interface. And even more refined transmitter options are on the way.The principle of Godox's policy is to create products that meet all quality standards. Before introducing a product to the market, we subject it to numerous tests and controls, thanks to which we are sure that the introduced product will function flawlessly. Each product is covered by a guarantee and warranty in accordance with applicable law, Considering the impressive recycle times of the 600 PRO, it wouldn’t be unreasonable to suspect Godox may have tweaked the overall power output to allow for that (if so they wouldn’t be the first). With the standard reflector fitted, and the power dialled down to the lowest output possible, which is 1/256th and in standard mode, the colour meter gave us a reading of 5759k, which is within the promised +/-200k of the stated 5600k. I have to admit I was quite impressed even with the standard colour mode, particularly when the light has been dialled down to the minimum, which is where the greatest variance tends to occur. It is true that stereo equipment sold in pieces (radio, amp, cassette player etc.) was always better than an all-in-one set (I am 56 so I remember that). However, I must disagree when it comes to lights. Wow! 13 kelvin short of hitting the nail on the head. Now that's impressive. And using the softbox gave us 6076k in colour consistency mode, and 6134k in standard mode, so my softbox was about 500k out. I'm not that surprised.
Sehr schnellere Wiederholung, unter 1sek bei voller 600ws( das Schaft keine bis jetzt) , sehr intuitive Bedienung (sieht gut aus) high-speed -sync bis 1/8000 Mega toll. As you rotate through power levels, the bottom left corner shows the t.1 flash duration for the current setting, and will make it simple to see if you will be able to freeze action with your current settings. [Rewind:] Lumu Power Review | Turns Your Phone Into A Touchscreen Flash, Color Temp, and Chromaticity Meter I did wonder if the HSS mode would be an issue with the colour temperature because when HSS is selected, it automatically disables the Colour Consistency mode. At full power output with the standard reflector and in HSS, we recorded 5627k, and at 1/256th output, we recorded 5696k. Personally, I found that very impressive.The old dome wouldn't have fit the new flash tube, it's a better design with a frosted front, so again a nice improvement and only a fix if you're insisting everything they've changed is a fix.
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