Press the shutter button all the way in to take the photo. The photo will be ejected from the slot at the front of the camera as soon as you let go of the shutter button. It will be shielded from the light by the film shield, and will be held in place until you are ready to remove it. Once you feel comfortable with the basic controls, you can take some time to experiment with the camera. Generally, I leave this switch in the middle. All of the images in this article are shot with the light/dark switch in the center, except for the double exposures.

Flash: The flash will always fire automatically but if you decide you don’t want the flash, you can always suppress it by holding down the ‘flash off’ button on the rear as you take the shot. Avoid suppressing the flash indoors or in dark places as your image will likely end up too dark. Of course, the image quality isn’t “good” by any modern metric, but that’s part of the “perfect imperfection” that Polaroid Originals says makes an instant film picture. Images are always a bit soft, which sometimes complements the desaturated aesthetic, but can also obscure some of the best parts of the scene. Note that for this review, I only used the colour i-Type film. I hope to try out the B&W version soon and perhaps write a dedicated article! Store your unopened film inside a fridge between 4 and 18°C. Let it warm up to room temperature for about an hour before shooting it.That said, the new i-Type colour film is a significant improvement, not just in terms of the shorter development time and reduced susceptibility to direct light exposure post-camera, but also the image quality, notably both the colour saturation and the contrast. I'm writing my review now as opposed to when I first got it (2018) as I wanted to know how it worked in the long run (and then didn't get a chance and quite frankly forgot to post it with work, having a baby, and covid etc etc, so I'm doing it now) Yes. This camera is a nostalgia play, but a good one. The OneStep 2 offers the genuine Polaroid look, and it’s fun to use at the same time. Just remember that the per-photo cost is extremely high. You’ll only end up using this on rare occasions. This comes down to your preference for subjects and lighting situations, but you’ll only need the flash for subjects at close distances when you’re inside or in the shade. I primary shoot in bright sun or landscapes, rarely needing flash. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Heather Broster/Mathieu Gasquet and Instant Camera Blog with appropriate and specific direction to the original content.

It’s pretty hard not to fall head-over-heals in love with the OneStep 2. Based on the design of the original OneStep, it has all the trappings of a vintage instant camera, along with a few modern perks that improve the user experience. It also flashes green between shots and will be a solid green when it’s ready to use. The light is orange at partially charged and red when it is out of battery.If the original OneStep’s specifications aren’t especially detailed (even with the benefit of history), they’re positively encyclopedic compared to what’s been published about the new model. Flash: The flash fires by default. This is probably my main critique of the OneStep 2. I end up using the flash override for almost every photo. Para encender la cámara basta con mover hacia abajo la gran palanca amarilla que se encuentra en la parte trasera de la OneStep 2, situada cerca del puerto micro-USB. Esta conexión nos permite cargar la batería de la cámara, bien conectándola al ordenador (tarda unas 4 horas en completarse) o a un adaptador de corriente (2 horas). With your left hand supporting the camera and your right index finger on the shutter button, you’ll find your thumb rests against the no-flash button. Pressing and holding that button while taking a picture suppresses the flash, which is otherwise always left on. The flash itself is a new addition to the camera — the 1977 model had the option to add a flash on the top, but didn’t house a built-in flash. Hilary Grigonis/Digital Trends Light/Dark Switch: This is basically your exposure compensation switch. If you’d like your image to be brighter and exposed longer, switch it to right where you see the “+” sign. If you’d like it darker, switch it to the “-” sign.

The built-in flash is the biggest change over the original, which only has a dedicated port – shared with the SX-70 – for fitting either a ‘Flashbar’ module which housed ten flash bulbs (five on each side) or the accessory Q-Light electronic flash unit. Incidentally, the latter has been re-created by MiNT and is available from Polaroid Originals. The Polaroid Now is our latest model. It has all the features of the OneStep 2, but with a few extras. The Polaroid Now’s strongest feature is its lens. It has an autofocus 2-lens system, which means it switches between a portrait and landscape lens based on what you are trying to photograph. The OneStep 2, on the other hand, has a fixed focus lens. This means you need to adjust your distance yourself to get your subject in focus for sharp photographs. Another extra with the Polaroid Now is the double exposure feature. Just two taps of the self-timer button and you can capture two moments in the one photograph for greater creative expression. Slide the film door latch to open the film door. Push the film cassette all the way in, with the film’s darkslide facing up.

Design and Build Quality

The only feature on the base of the camera is a tripod mount. It is useful if you frequently plan to use the self timer or want to eliminate camera shake.

The aperture range isn’t known, nor the shutter speeds, but exposure control is programmed to some extent, including again balancing flash and daylight. According to Polaroid Originals, the shutter is a “custom design using [a] precision step motor”, but that’s as much as they’re giving away. I’ve been using the Polaroid OneStep 2 for a few months now and I admit that I am a little behind schedule with this review. (Too much desk work and very little actual shooting being the problem!) It’s here now though, so let’s dive right in! Multiple exposures: Here is a neat tip I learned from photographer Matt Day. Though the camera doesn’t have a dedicated function, you can easily create multiple exposures by holding the shutter button down after you’ve taken a shot, turning the camera off so it cannot eject the film, releasing the shutter button, and then turning the camera on again. Basically this lets you take additional exposure with the same slide of film. The results aren’t that impressive but it’s fun nonetheless. Although bankruptcy forced the Polaroid Corporation to cease production of instant film products in 2008, its legacy lives on in the form of Polaroid Originals, a Dutch company formerly known as the Impossible Project. The OneStep 2 uses a traditional view finder located on the right side of the lens barrel. The viewfinder is most accurate when you align your right eye with the space behind the viewfinder, resting your cheek on the slope of the camera body.As an instant film camera, the OneStep 2 uses a fairly minimalist control scheme, though has a few more options than the 1970s original. The shutter release sits at the front towards the bottom — which feels odd, as most modern cameras put it on the top — which remains true to the original. Because the camera has a minimum focus distance of 60cm, always be aware of how close your subject is to the camera. This is especially true when taking selfies! There are a few functions on the OneStep 2. You have the flash with flash override, the light/dark switch, and the self-timer. If you shoot towards the light — going agains the recommendations — the lens sometimes flares and causes portions of the photo to blow out. Unfortunately, the flare isn’t an artsy, rainbow-style effect, but a white blob at the edge of the photo. You can usually tell through the viewfinder when this is going to happen, and can even prevent it by shielding the lens with one hand, a sort of makeshift lens hood, but this isn’t always easy to do and you risk getting your hand in the photo if you’re not careful.