Kamasutra Erotic G Board Game

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Wendy Doniger (2011). "The Mythology of the Kāmasūtra". In H. L. Seneviratne (ed.). The Anthropologist and the Native: Essays for Gananath Obeyesekere. Anthem Press. pp.293–316. ISBN 978-0-85728-435-8. Archived from the original on 9 January 2022 . Retrieved 26 November 2018. Kumkum Roy (2000). Janaki Nair and Mary John (ed.). A Question of Silence: The Sexual Economies of Modern India. Zed Books. p.52. ISBN 978-1-85649-892-0. Archived from the original on 26 January 2021 . Retrieved 5 December 2018. P.P. Mishra (2007). Yudit Kornberg Greenberg (ed.). Encyclopedia of Love in World Religions. ABC-CLIO. p.362. ISBN 978-1-85109-980-1. Archived from the original on 22 December 2019 . Retrieved 28 November 2018. a b J. A. B. Van Buitenen, Dharma and Moksa, Philosophy East and West, Vol. 7, No. 1/2 (Apr. - Jul., 1957), pp 33–40

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Rocher, Ludo (1985). "The Kāmasūtra: Vātsyāyana's Attitude toward Dharma and Dharmaśāstra". Journal of the American Oriental Society. 105 (3): 521–529. doi: 10.2307/601526. JSTOR 601526. Kama – signifies desire, wish, passion, emotions, pleasure of the senses, the aesthetic enjoyment of life, affection, or love, with or without sexual connotations. [35] Gavin Flood explains [36] kāma as "love" without violating dharma (moral responsibility), artha (material prosperity) and one's journey towards moksha (spiritual liberation). Other translations include those by Alain Daniélou ( The Complete Kama Sutra in 1994). [104] This translation, originally into French, and thence into English, featured the original text attributed to Vatsyayana, along with a medieval and a modern commentary. [105] Unlike the 1883 version, Daniélou's new translation preserves the numbered verse divisions of the original, and does not incorporate notes in the text. He includes English translations of two important commentaries, one by Jayamangala, and a more modern commentary by Devadatta Shastri, as endnotes. [105] Doniger questions the accuracy of Daniélou's translation, stating that he has freely reinterpreted the Kamasutra while disregarding the gender that is implicit in the Sanskrit words. He, at times, reverses the object and subject, making the woman the subject and man the object when the Kamasutra is explicitly stating the reverse. According to Doniger, "even this cryptic text [ Kamasutra] is not infinitely elastic" and such creative reinterpretations do not reflect the text. [106]

Across human cultures, states Michel Foucault, "the truth of sex" has been produced and shared by two processes. One method has been ars erotica texts, while the other has been the scientia sexualis literature. The first are typically of the hidden variety and shared by one person to another, between friends or from a master to a student, focusing on the emotions and experience, sans physiology. These bury many of the truths about sex and human sexual nature. [64] [65] The second are empirical studies of the type found in biology, physiology and medical texts, focusing on the physiology and objective observations, sans emotions. [64] [65] The Kamasutra belongs to both camps, states Doniger. It discusses, in its distilled form, the physiology, the emotions and the experience while citing and quoting prior Sanskrit scholarship on the nature of kama. [65] Jyoti Puri, who has published a review and feminist critique of the text, states that the " Kamasutra is frequently appropriated as indisputable evidence of a non-Western and tolerant, indeed celebratory, view of sexuality" and for "the belief that the Kamasutra provides a transparent glimpse into the positive, even exalted, view of sexuality". [115] However, according to Puri, this is a colonial and anticolonial modernist interpretation of the text. These narratives neither resonate with nor provide the "politics of gender, race, nationality and class" in ancient India published by other historians and that may have been prevalent then. [116] The Kama Sutra is an Indian Hindu text that dates from the 2nd century, originally written in Sanskrit, about erotic love. It's written by ancient philosopher Vātsyāyana Mallanga. them into the relationship long after the game is over for a healthy, more secure, and living partnership. a b Sushil Kumar De (1969). Ancient Indian Erotics and Erotic Literature. K.L. Mukhopadhyay. pp. 89–92.

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Types of women, finding sexual partners, sex, being lovers, being faithful, permissible women, adultery and when to commit it, the forbidden women whom one must avoid, discretion with messengers and helpers, few dos and don't in life

Vatsyayana; SC Upadhyaya (transl) (1965). Kama sutra of Vatsyayana Complete translation from the original Sanskrit. DB Taraporevala (Orig publication year: 1961). pp.68–70. OCLC 150688197. Kissing, where to kiss and how, teasing each other and games, signals and hints for the other person, cleanliness, taking care of teeth, hair, body, nails, physical non-sexual forms of intimacy (scratching, poking, biting, slapping, holding her) Wendy Doniger; Sudhir Kakar (2002). Kamasutra. Oxford World's Classics. Oxford University Press. ISBN 0-19-283982-9.